The Golden Lily: Book Review

With what seems like a bottomless pit of supernatural fiction now littering bookstore shelves, it’s rare to find a novel that doesn’t focus on the done-to-death romance between a human and the new, mysterious town stranger who happens to be a ridiculously attractive vampire/werewolf/witch/alien. One of the many reasons The Golden Lily so appealing is that we’re dealing with a romance between two supernatural characters yet there’s still ample amounts of power play, lingering stares, fear and of course, tension.

The Golden Lily is the second installment in the Bloodlines series which is a spin-off of Richelle Mead’s Vampire Academy series. Set in the fantastical world of “good” (Moroi) and “bad” (Strigoi) vampires, The Golden Lily also delves further into the mysterious, secret world of the Alchemists – a group whose work is to maintain the secret of vampirism from the blissfully ignorant human population.

goldenlily

The novel follows the undercover mission established in the first novel to keep Jill Dragomir in hiding. Her protection cannot be understated as her half-sister Lissa, the Moroi Queen, can only keep her title if she has at least one living relative. Sydney Sage – the protagonist – is the young Alchemist sent to oversee the mission and despite Alchemists being indoctrinated  to be repelled or at minimum, feel uncomfortable around vampires, begins to question her beliefs and her place in the Alchemist world.

Sage is a generally likeable character if you ignore the constant quips and comments about her weight insecurities. In comparison to the ultra lithe Moroi, our Alchemist is constantly watching her calories and fighting a war against sugar which wouldn’t be a bone to pick if it weren’t a topic of conversation during every meal scene. Kudos to her unrelenting no-sugar rule but would it kill an author to have a protagonist that wasn’t a size 4?

And then we come to the other half of what the fangirls call the OTP (One True Pairing), Adrian Ivashkov. Think Chuck Bass but more disheveled, slightly insane, complete with an addiction to cigarettes, smoking and with fangs. Not to mention that I happen to believe Ed Westwick (pictured) is a dead ringer for the character’s description, if a little too tanned. Everything would be peaches and cream (but when is that ever likely to happen in a novel?) except for the fact that Ivashkov’s a Moroi and every bone in Sage’s body is telling her not to have feelings for him, not even a “just friends” feeling.

Ed Westwick by greginhollywood on flickr.

Ed Westwick by greginhollywood on flickr.

So we see Sydney start dating Brayden – a guy who everyone sees as being 100 per cent compatible with her. He also happens to be about as exciting as watching paint dry. While Sage mirrors this at times, at least she has moments of badassery to provide some balance. When our OTP (unofficially known as Sydrian) finally has their ‘moment’, despite it being electrifying and “glorious”, it’s over before it even really begins and we’re left with a gaping hole that should have been filled with butterflies and swooning.

With the exception of Brayden, most of the other side-characters are genuinely lovable and worthy of the reader’s attention. There’s Eddie, the Dhampir (human/vamp hybrids that train to become pretty badass bodyguards), Jill who fills the role of the adopted sister, Angeline, another Dhampir whose short temper and lack of social skills provide ample humor throughout the novel and Ms Terwilliger, the teacher who not-so-subtly forces Sage to dapple in the ancient art of witchcraft. Even the almost love triangle between Angeline|Eddie|Jill is detailed enough to make you care but not overshadow the main pairing of the novel. It’s not very often that I feel as strongly about sub-characters as the protagonists, but the amount of passion, heart-ache and to some degree, self-torture Eddie goes through makes him one of the more outstanding characters of the novel.

To top off the mountain of drama that befalls these characters, their problems worsen when they happen upon an unavoidable amount of evidence to suggest the existence of human vampire hunters. There’s conflict, as with most supernatural fiction but Mead is eloquent enough to describe violence in an almost dream-like quality, through the eyes of someone who isn’t accustomed to gunfire or hand-to-hand combat. It’s a refreshing break from fight sequences that are loaded with countless punches thrown and people tackled to the ground.

While The Golden Lily took a while to really get into the thick of the plot and had some pages wasted on boring dates and conversations between Sage and Brayden, as it progressed, I found myself less willing to put it down. By the last few pages, I had to actually stop myself from reading further because the anticipation for what was about to happen, or well, what I thought was about to happen, was too much.

Needless to say, the cliffhanger has left me desperate for the third installment – The Indigo Spell which is out now. Waiting for my pre-ordered copy to arrive from London has never been so torturous.

The Indigo Spell Finished Cover

Am I becoming the designated movie writer for Meld?

Having written yet another movie-focused article for Meld, I feel like I’m becoming the go-to movie/entertainment journalist for the magazine – a title and privilege that I am more than happy to take on. There’s something quite magnificent and more to the point, enjoyable, about being able to write for an area that you’re passionate about and it’s no secret how much of a TV and movie fanatic I can be. Sure, I may not be interviewing the next Steven Spielberg and maybe only a handful of people will read what I devote hours to, but I am immensely proud of the articles I’m writing and I can’t help but feel a sense of satisfaction that after spending three years learning the ins and outs of journalism (even the ever-so-tedious theory units), I’m still passionate about working in this field.

Here’s the latest movie-inspired article I wrote for Meld.

5 movies to watch this season!

WHETHER it’s aliens, dinosaurs or wizards that pique your attention, there’s a movie due to hit cinemas in the next two months that will be well worth the price of an admission ticket. Juliana Mare fills you in on the autumn flicks we’re most looking forward to.

The Company You Keep (April 18)

Far from the teenager who saved the world in the Transformers franchise, Shia LeBeouf returns to cinemas as a young, stubborn journalist who goes on the hunt for members of a radical terrorist organisation. From the trailer alone, it’s pretty clear this thriller will keep audiences enthralled with an FBI instigated manhunt, chase sequences aplenty and jaw-dropping secrets revealed at every opportunity. Also starring Robert Redford, Susan Sarandon and Anna Kendrick, The Company You Keep is a must-see for all the mystery film buffs out there.

Oz the Great and Powerful (March 7)

Munchkins, the famous yellow brick road and the emerald city of Oz – things we are all familiar with from the 1939 classic The Wizard of Oz. In 2013, audiences will be cast back into the magical land alongside Oscar Diggs, played by James Franco, the man who later becomes the great and powerful Wizard of Oz. On his way to fulfilling the prophecy of becoming the almighty wizard Oz, Oscar is forced to unravel the mystery of who’s good and evil and save the land from its current problems. The amazing technicolour world of Oz is back, this time in 3D and showing at Melbourne’s IMAX theatre from March 7.

Jurassic Park: The IMAX 3D Experience (April 4)

Remember how epic it was when Sam Neill distracted a T-Rex with a lit flare to stop it chowing down on innocent kids? Well now you can re-live that scene and every other badass dinosaur escape scene from the 1993 action flick Jurassic Park in 3D at IMAX. Sure, a theme park full of carnivorous dinosaurs seemed like a good idea, until the power goes out and everyone on the island is on the run for their lives. It’s so dangerous that some guy even gets chomped on while he’s sitting on the toilet which is just plain unlucky. For a bit of 90’s nostalgia, Jurassic Park is screening at IMAX from April 4.

G.I. Joe: Retaliation (March 28)

This film is packing some serious muscle with returning cast member Channing Tatum working alongside Dwayne “The Rock” Johnson and Bruce Willis. Basically, after being sacked, the G.I. Joe team fight back against home-grown threats from inside the American Government. No doubt the sequel will have just as much, if not more heavy artillery, hand-to-hand combat and macho bravado as its predecessor. If explosions, car chases and fight sequences suspended mid-air are your thing, then Retaliation will definitely not disappoint.

The Host (March 28)

Irrespective of whether or not you love or despise The Twilight Saga, ignore the fact that the book which inspired this movie was written by Stephenie Meyer because it’s hard to believe the same woman wrote both stories. The Host is an adult sci-fi novel about an alien sharing her human host’s body with the original soul who didn’t quite fade away after death. Reuniting with her old family becomes a struggle and sure enough, passion, drama, violence and a love triangle ensue. The movie, starring Saoirse Ronan, Max Irons and Jake Abel is directed by Andrew Niccol and will no doubt have sell-out opening sessions.

Star Trek: into Darkness (May 16)

While this last movie isn’t due for release until May 16, anticipation and eagerness has pushed it onto this list. Star Trek: Into Darkness is the sequel to the 2009 remake of the franchise, starring Chris Pine, Zoe Saldana, Zachary Quinto and the newest cast member – BBC’s Sherlock’s Benedict Cumberbatch. From the socially awkward, genius detective from Sherlock to Hollywood’s latest villain, Cumberbatch is causing a stir online with fans ogling over the latest theatrical trailer. Spaceships, aliens, super cool advanced weaponry and now a British villain whose eyes may just be bluer than Pine’s – what more could you possibly want from a movie?

Fairtytale Fever: Hansel & Gretel latest to get Hollywood treatment

IT seems fairytales aren’t just for little kids anymore with more and more Hollywood blockbusters re-telling the old fables with new, often dark twists.

It’s not that far a stretch to assume that after killing one witch as children, Hansel and Gretel would make a career out of it. Jeremy Renner and Gemma Arterton play the bounty hunting siblings who, armed to the teeth with guns and automatic crossbows, rid the world of witches, one by one.

If its breadcrumbs, haggard witches with long noses and warts and happy endings you’re after, then you might be disappointed with this new twist on the classic fairytale. The seriously ugly witches aren’t just keen on chowing down on children this time, they’re hell-bent on sacrificing them to the blood moon. Coupled with the somewhat over-the-top gore, killings by beheading and machine gun massacres, swearing and nudity, this version of the fairytale was definitely made for adult audiences.

It’s surprising, in a good way, how many fight sequences were jammed into the 88 minute film. Whether it was hand to hand combat against witches attempting to flee on broomsticks or trolls coming to the rescue, plenty of punches were thrown, ammunition fired and blood spilled. But if the action scenes aren’t appealing, there’s always the topless Renner scene to pull the ladies in.

While it’s not quite the story we remember from our childhood, it was refreshing to see the fairytale stripped of its sugar coating and given a high dose of adrenalin, attitude and all-round badassery. You can catch Hansel and Gretel: Witch Hunters in cinemas from February 7.

But it seems Hansel and Gretel isn’t the only fairytale to undergo a Hollywood makeover. Kristen Stewart took on the role of Snow White in Snow White and the Huntsman in 2012 but she was far from the singing, rosy-cheeked cartoon Snow we all know and love. Instead, she was a pretty ruthless, fierce, warrior-esque princess – a move that gave the movie a darker, war-like atmosphere opposed to a happy kids flick.

Similarly, in 2011, the beloved plaited hair and wicker basket of Little Red Riding Hood was twisted into a grim tale of death and animal sacrifice. Fully equipped with a love triangle, a werewolf hunter and a town full of scheming, lying and overwhelmingly paranoid residents, Red Riding Hood definitely turned the original tale into something much more sinister.

Fans of the fairytale genre also have much to look forward to with Guillermo del Toro remaking the classic Beauty and the Beast, rumoured to star Harry Potter’s Emma Watson. James Franco is also set to star in Oz the Great and Powerful, a look at the magical Land of Oz, set before Dorothy and Toto wind up there, released on March 8.

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I wrote this piece for Meld. You can see all my work for the magazine here.

Thanks for reading!